OHA RESIN Back to the site العربية

01day

Two boards, chosen

Picked for grain and for how flat they sit. Nothing about the piece is decided yet except the wood.

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Day 1Day 12
Two boards, chosen
day 01

Two boards, chosen

Picked for grain and for how flat they sit. Nothing about the piece is decided yet except the wood.

Milled and dammed
day 02

Milled and dammed

The slabs come flat, then a sealed form is built around them. Every seam is taped, because epoxy finds any gap there is.

The pour begins
day 03

The pour begins

It goes in slowly, in layers, so the resin does not overheat as it sets. The workshop smells of it for a week.

Petals go in
day 04

Petals go in

Dried roses and gold flake are dropped while the layer is still soft. Where each one stops sinking is where it stays for good.

Nothing happens
day 07

Nothing happens

The resin hardens on its own schedule and goes cloudy on the way. This is most of the twelve days, and none of it can be hurried.

Sanded back
day 11

Sanded back

Flattened, then up through the grits. The left half here is still dull; the right has come back to glass.

Finished
day 12

Finished

Oiled, polished, and lit from the inside. Twelve days after two rough boards went onto the bench.

Two tables, one shape

Both are round, both are oak and olive, and both were poured in the same workshop. The only real difference is what went into the resin. One holds the light; the other swallows it.

A round table top, deep teal resin with two live-edge olive slabs set into it and a knot filled with resin.
Teal river, round
Olive and oak in teal epoxy, 90 cm. Two live-edge slabs set into the pour, with a knot left open and filled.
A round oak table top with a single black resin river running through the jointed boards.
Black river, round
Oak in black epoxy, 90 cm. One river through jointed boards, standing on black hairpin legs.

Why it has to be seen moving

A still photograph flattens the pour. The resin has real depth, and the light travels down through it as you move past. Filmed on a phone, held close, then steadied.

Close detail of olive grain running out to a live edge, held in teal resin.
Olive, up close
The grain runs right out to the live edge, and the pour takes the shape the wood left behind.
The oak and black resin table photographed in a room, on its black hairpin legs.
Where it ended up
Photographed where it lives rather than in a studio, which is the only picture here that has not been tidied.

That is one table. Yours takes the same twelve days.

Every piece is made this way, one at a time. Tell us the room and the wood, and you get a price and a date back, usually the same day.