
- Teal river, round
- Olive and oak in teal epoxy, 90 cm. Two live-edge slabs set into the pour, with a knot left open and filled.
01day
Picked for grain and for how flat they sit. Nothing about the piece is decided yet except the wood.
Scroll, or drag the line
Picked for grain and for how flat they sit. Nothing about the piece is decided yet except the wood.
The slabs come flat, then a sealed form is built around them. Every seam is taped, because epoxy finds any gap there is.
It goes in slowly, in layers, so the resin does not overheat as it sets. The workshop smells of it for a week.
Dried roses and gold flake are dropped while the layer is still soft. Where each one stops sinking is where it stays for good.
The resin hardens on its own schedule and goes cloudy on the way. This is most of the twelve days, and none of it can be hurried.
Flattened, then up through the grits. The left half here is still dull; the right has come back to glass.
Oiled, polished, and lit from the inside. Twelve days after two rough boards went onto the bench.
Both are round, both are oak and olive, and both were poured in the same workshop. The only real difference is what went into the resin. One holds the light; the other swallows it.


A still photograph flattens the pour. The resin has real depth, and the light travels down through it as you move past. Filmed on a phone, held close, then steadied.


Every piece is made this way, one at a time. Tell us the room and the wood, and you get a price and a date back, usually the same day.